The first five sketches have been lines but now it’s time to add shadow and contrast. The shoulder is still completely without colour because we want to give the impression that this is reflecting light. Study photographs of cars and look at the areas that are highlighted, and which areas fall into shadow. In part 1 of the #GetCreativeWithPorsche series the automotive photographer Richard Pardon talked about how light can be used to really showcase a car’s design and this is what we’re trying to get across now, in sketch form.